Tuesday, November 3, 2009
Ghost Signs
Pilsen is a fascinating playground of both architecture and history for even those mildly interested in Chicago's past. Ghost signs are tangible pieces of history that allow for some detective work, which is part of the reason why I enjoy research so much. For those not familiar with this term, a ghost sign is a remnant of the bygone era of advertisements painted on the side of a building. They often remain unnoticed to many, but as a preservationist, I relish in spotting these faded signs. Especially exciting is when you see the old phone exchange – even before before 312 was split into 773. The sign for the Nea Agora Packing Co. on Taylor Street still has a sign with an old exchange. But I digress - I like ghost signs because these ads tell a story. You can deduce the population of the neighborhood at a certain time in history often by what was trying to be sold to them. The Woolworth sign was hard for me to make out at first. However, after talking to a long-time resident I found that the building the sign is on, was actually a Woolworth at one time.
This sign for "Skala" is on a building on the 1600 block of W. 21st Street. I can't quite make out what it says below (other than S. Loomis) but it's interestingly juxtaposed against the new facade veneer.
Pilsen has quite a few of these ghost signs, these are just the few I have managed to document.
Wednesday, July 8, 2009
An Unveiling
I was pleasantly surprised last Tuesday as I took the train to work and was walking east on 18th Street. The dryvit on the Old Zemsky's/Family Dollar/ soon-to-be National Able offices is being removed to reveal beautiful face brick with an interesting decorative cornice. I always wonder what the motivation to cover up buildings like these with styrofoam.
Public Baths
April 22, 1910 Pilsen's own Bathhouse opened to the public. Below is the article published:
I'm not sure what's going on with this building now, it appears to be out of use. I would love to get a look inside!
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ELEVENTH WARD TO BATHE; CITY BATHHOUSE IS OPENED.
Institution Named After Dr. Simon Baruch of New York, Initial Promoter, Who Is Present at Dedication.
The Eleventh ward became the possessor of a municipal bathhouse last night and the several hundred residents who attended the opening at 1011 West Twentieth [Cullerton] Street had the novelty of seeing and meeting the man for whom the bath was named. Dr. Simon Baruch of New York, initial promoter of such institutions.
The philanthropist found himself well known, even in the Eleventh ward of Chicago. In which he had never before set foot. Over the entrance to the $23,000 structure is placed his picture, and as he entered last night in company with Health Commissioner W.A. Evans, Henry C. Lytten, and others, he was hailed by juvenile shouts of “dere’s da guy whose mug’s over the door.” It pleased him greatly.
Ald. E.F. Cullerton, Ald. Frank Danisch, and Dr. George C. Hunt, medical inspector in charge of the public baths introduced the speakers. Dr. Evans pointed out that Chicago had twice as many municipal baths as New York and Dr. Baruch said that Dr. Gertrode Waltington of Chicago had persuaded the city to adopt his plans in 1868, while he vainly pleaded with Gotham mayors for appropriate for ten years. Chicago’s good hygienic condition was due, he said, to a “health department which worked in his shirt sleeves and not in silk hats.”
The baths, which are all showers, will be opened today.
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Saturday, June 6, 2009
Preservation Chicago Party... in Pilsen!
"The Art of Preservation" benefiting Preservation Chicago
Friday, June 12, 2009
1835 S. Halsted
5:30pm - 8:30pm
Tickets:
$25 advanced, $30 at the door
Buy tickets in advance through PayPal here.
Ticket price includes beer, wine and tasty treats! And in the spirit of Pilsen, the muy caliente Latin band, Son Del Viento, will be performing live.
The event runs concurrently with the Chicago Arts District’s 2nd Fridays event. You will have the opportunity to visit other open studios, chicagoartsdistrict.org
For more information, call 773-334-8800 or email info@preservationchicago.org
Wednesday, May 27, 2009
A City Vegetable Garden
Jens Jensen Was Here
(Harrison Park Community Garden ca. 1921)
I never consciously noticed landscape or gardening until I started my preservation career as an intern in New York City. Whenever I got a chance, I would take the train up to Central Park, walk within its borders and breathe deeper as the cacophony of the city subsided and was replaced by rustling leaves and birds chirping. This reprieve was so refreshing, so peaceful and beautiful it was only then I truly started appreciating the importance of landscape in daily life.
Most people who are interested in landscape know Olstead and Vaux as the designers of Central Park. Jens Jensen is an equally important figure in Midwest, specifically Chicago's landscape history. A Danish immigrant that moved to the United States in 1884, Jensen began his career as a City street-sweeper for the Chicago West Parks District in 1886, later becoming the Superintendent of Union Park. Throughout Jensen's career, he designed what he called "natural parks and gardens," with native plants. Jensen designed landscapes for parks, schools, hospitals and private estates.
"Our native landscape is our home, the little world we live in, where we are born and where we play, where we grow up and finally where we are...laid to eternal rest. It speaks of the distant past and carries our life into the tomorrow. To keep this pure and unadulterated is a sacred heritage, a noble task of the highest cultural value." Jens Jensen to Camillo Schneider, 15 April 1939.
Pilsen's own Harrison Park was designed by Jens Jensen, but it's debatable how much, if any of his design remains. According to the Chicago Park District, Harrison Park was created in 1912 when Pilsen was overcrowded and populated with immigrants who worked in the industrial areas close by. Harrison Park sits on a site which was previously used for lime production (lime is a calcium based material that is used in concrete and mortar, among other things). In 1914, a natatorium was built, with swimming and wading pools. A few years later, a children's garden was created and in 1928, a field house was finally erected. The park's next major expansion was in 1950, when the Chicago Park District acquired the stone quarry to the west of the park. In 1987, the natatorium was converted into the National Museum of Mexican Art and in 1993, the original field house was replaced with the current one.
Though Jensen's influence is no longer pure and unadulterated, his vision and belief that open space in parks like Harrison is the little world we live in, still lives on in the Pilsen we live in today.
Current Field House in Harrison Park
I never consciously noticed landscape or gardening until I started my preservation career as an intern in New York City. Whenever I got a chance, I would take the train up to Central Park, walk within its borders and breathe deeper as the cacophony of the city subsided and was replaced by rustling leaves and birds chirping. This reprieve was so refreshing, so peaceful and beautiful it was only then I truly started appreciating the importance of landscape in daily life.
Most people who are interested in landscape know Olstead and Vaux as the designers of Central Park. Jens Jensen is an equally important figure in Midwest, specifically Chicago's landscape history. A Danish immigrant that moved to the United States in 1884, Jensen began his career as a City street-sweeper for the Chicago West Parks District in 1886, later becoming the Superintendent of Union Park. Throughout Jensen's career, he designed what he called "natural parks and gardens," with native plants. Jensen designed landscapes for parks, schools, hospitals and private estates.
"Our native landscape is our home, the little world we live in, where we are born and where we play, where we grow up and finally where we are...laid to eternal rest. It speaks of the distant past and carries our life into the tomorrow. To keep this pure and unadulterated is a sacred heritage, a noble task of the highest cultural value." Jens Jensen to Camillo Schneider, 15 April 1939.
Pilsen's own Harrison Park was designed by Jens Jensen, but it's debatable how much, if any of his design remains. According to the Chicago Park District, Harrison Park was created in 1912 when Pilsen was overcrowded and populated with immigrants who worked in the industrial areas close by. Harrison Park sits on a site which was previously used for lime production (lime is a calcium based material that is used in concrete and mortar, among other things). In 1914, a natatorium was built, with swimming and wading pools. A few years later, a children's garden was created and in 1928, a field house was finally erected. The park's next major expansion was in 1950, when the Chicago Park District acquired the stone quarry to the west of the park. In 1987, the natatorium was converted into the National Museum of Mexican Art and in 1993, the original field house was replaced with the current one.
Though Jensen's influence is no longer pure and unadulterated, his vision and belief that open space in parks like Harrison is the little world we live in, still lives on in the Pilsen we live in today.
Current Field House in Harrison Park
Thursday, April 9, 2009
Moe Knows
A compelling op-ed column by the National Trust for Historic Preservation's President, Richard Moe. (click here for the original link)
This Old Wasteful House
NEVER before has America had so many compelling reasons to preserve the homes in its older residential neighborhoods. We need to reduce energy consumption and carbon emissions. We want to create jobs, and revitalize the neighborhoods where millions of Americans live. All of this could be accomplished by making older homes more energy-efficient.
Let’s begin with energy consumption and emissions. Forty-three percent of America’s carbon emissions come from heating, cooling, lighting and operating our buildings. Older homes are particularly wasteful: Homes built in 1939 or before use around 50 percent more energy per square foot than those constructed in 2000. But with significant improvements and retrofits, these structures could perform on a par with newer homes.
So how does a homeowner go green? The first step is an energy audit by a local utility. These audits can be obtained in many communities at little or no cost. They help identify the sources of heat loss, allowing homeowners to make informed decisions about how to reduce energy use in the most cost-effective way.
Homeowners are likely to discover that much of the energy loss comes down to a lack of insulation in attics and basements. Sealing other air leaks also helps. This can be done by installing dryer vent seals that open only when the dryer is in use, as well as fireplace draft stoppers and attic door covers.
Experience has shown that virtually any older or historic house can become more energy-efficient without losing its character. Restoring the original features of older houses — like porches, awnings and shutters — can maximize shade and insulation. Older wooden windows perform very well when properly weatherized — this includes caulking, insulation and weather stripping — and assisted by the addition of a good storm window. Weatherizing leaky windows in most cases is much cheaper than installing replacements.
The good news is that the administration is taking steps to help homes save energy with a program that will invest almost $8 billion in state and local weatherization and energy-efficiency efforts. The Weatherization Assistance Program, aimed at low-income families, will allow an average investment of up to $6,500 per home in energy efficiency upgrades.
My organization is also working with the Natural Resources Defense Council and members of Congress on legislation to help cover the costs of making all older homes more energy-efficient. Under this proposal, a homeowner would receive a $3,000 incentive for improving energy efficiency by 20 percent, and $150 for each additional percentage point of energy savings. If 300,000 homes could be retrofitted each year, we estimate that after 10 years we could see a reduction of 65 million metric tons of carbon emitted into the atmosphere, and the equivalent of 200 million barrels of oil saved.
The labor-intensive process of rehabilitating older buildings would also create jobs, and this labor can’t be shipped overseas. The wages would stay in the community, supporting local businesses and significantly increasing household incomes — just the kind of boost the American economy needs right now.
Before demolishing an old building to make way for a new one, consider the amount of energy required to manufacture, transport and assemble the pieces of that building. With the destruction of the building, all that energy is utterly wasted. Then think about the additional energy required for the demolition itself, not to mention for new construction. Preserving a building is the ultimate act of recycling.
Richard Moe is the president of the National Trust for Historic Preservation.
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